
Thomas Houseago. Sculptures in the Garden
These sculptures don’t feel polished or perfect. They feel alive — fragile, massive, and deeply human.

Image credit
© Banca March

Exhibition Highlights - What you’ll see
Contemporary figurative sculpture with influences from expressionism, primitive art, classical monumentality, and raw material experimentation.
In this outdoor exhibition, Thomas Houseago (UK 1972) transforms the garden into a landscape of monumental bodies, fragmented forms, and exposed structures.
The sculptures reveal their own construction — rough surfaces, visible frameworks, unfinished textures — as if the process itself were part of the artwork.
You’re watching:
- Human figures that feel both ancient and contemporary
- Monumental forms filled with vulnerability
- Sculptures balancing weight, emptiness, and movement
- Works that change dramatically depending on light, distance, and surrounding nature
The result feels physical, emotional, and almost mythological.
Worth the trip
Yes — especially if you want to experience sculpture beyond the museum pedestal.
Because Houseago’s work reconnects sculpture with the body — imperfect, exposed, emotional.
Placed outdoors, the works gain another dimension: weather, shadows, trees, and architecture become part of the experience itself.
And seeing contemporary sculpture in dialogue with the calm atmosphere of the garden creates a rare kind of encounter in the middle of Madrid.
How to experience it
Walk around every sculpture completely → the works transform from each angle
Visit at different times of day if possible → shadows dramatically change the experience
Don’t only look at the figures → observe the materials and exposed structures
Take distance first, then move close → scale is essential to the emotional effect
Artlovers tip:
These sculptures are intentionally unfinished-looking.
Instead of asking “Is it complete?”, ask yourself why vulnerability might be part of the artwork.


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